SketchCrawl #24

Peach, banana, red pepper in ink and watercolor. © Marilynn Brandenburger

Yesterday was "SketchCrawl," the international drawing marathon in which artists -- and aspiring artists -- all over the world go out and sketch. It's a hoot to see who was drawing, what they drew and where. Here in Atlanta it rained all day, quashing our plans to go to the Botanical Garden, so I stayed home and raided the produce bin for subjects.

More grasslands

"Toward Laramie," Wyoming - watercolor on panel, 12 x 16

"Autumn in the Tallgrass," Neal Smith National Wildlife Refuge, Iowa - watercolor on panel, 12 x 16

"Prairie Poem," Big Prairie, Montana - gouache on panel

Our Colorado vacation really got me pumped about grasslands. I find the rolling hills of sensuously waving grass to be extremely beautiful. Did you know that only about 1% of the original grasslands -- from the Tallgrass prairies of Illinois, Iowa and Kansas to the Shortgrass of the Great Plains states -- still remain as they were after the Ice Age? Efforts are being made to restore prairie grasses and the richly diverse ecosystem they offer, and I plan to visit as many restored grassland preserves as I can.

Memories of Colorado

My husband and I spent a week along Colorado's Front Range in July, checking it out for retirement. Here are two watercolors of Soapstone Prairie, a 28-square mile Natural Area just north of Fort Collins. Enormous sky, brilliant sun, wild wind, soaring raptors and gazillions of wildflowers -- my kind of place!

The Chair Journal

I've started a new journal -- about chairs. Chairs we spend time in can become good friends, and many of them play a role in our lives. This chair nurtured my musings about drawing and painting when I was a resident artist at the Ragdale Foundation in Chicago a few years ago. I'll be telling its story, along with that of 15 other chairs I have known and loved, in this new "Chair Journal."

Handmade journals

I have used store-bought journals for my sketches for years, but they've always fallen short of what I really wanted, which was to be able to bind pages with a single theme together. Last year I started taking book-binding workshops so I could do this. Here is a selection of my handmade journals to-date. Where I learned to do this was at the John C. Campbell Folk School in Brasstown, NC, where I teach Illustrated Journaling.

Painting with gouache

Watercolor is the medium I use most often for my illustrated journals and for painting "en plein air" -- that is, painting outdoors -- but often I want to paint in a less delicate, more robust style. Lately, what does that for me is gouache, an opaque watercolor. Here's a little scene along Minnesota's Gunflint Trail, created in gouache on museum board.

More desert sketches

The desert journal is taking shape. Here are some more sketches, iconic desert images. I've started writing the text that will accompany the sketches and begun to think about how to bind this new journal.